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My First Day at (Huss) School: Education after Graduation, a.k.a. Workship

My last day of school at Calvin College was rife with mixed feelings. Of course I was relieved, excited, and well past ready to have completed such a grueling four years. The prison gates were, finally, finally, opened. And yet, the closure of such a deep experience also left me bereft, apprehensive, and lost. Out of the prison gates I had no idea where to go.
This crisis of direction is not unique to me in particular and probably not to any single generation; however, I venture that my generation experiences this crisis in a different way. A whole new age group–the “20-somethings”–has fallen into the current cultural lingo and, perhaps as well, the current existential experience of people like me. Typically, this group is characterized by the college-graduated-jobless-living-at-home-with-parents 20-something-year-old who, despite rigorous education, has no idea what to do with life. How’s that for irony you hipster grads?
This common experience has serious repercussions, one of which is a deep sense of malaise. Post-graduation there is a sense that something has been lost, that one has been left in the dark. Well-trained, the graduate now sets sail out past the reach of the lighthouse and its guiding light. We come to find ourselves in dark and troubled waters, perhaps more dark and troubling than the absurdly late night study crams our institutes disciplined into us. For now we must row alone.
The problem, however, comes amidst the tumultuous waves and stormy skies of goodbyes and transition. Dropped into our rowboat, still frantically paddling from our senior sprint, we charge aimlessly, having no idea where to go in this wide sea. At graduation I found myself in the throes of paradox: I had reached my hard fought destination, the end toward which I’d been aiming for so long, and yet I knew no home. I was restless. To continue my education, to bear its fruit. Restless to continue the friendships and community I had so rooted myself in. Restless to still belong somewhere.
I had arrived but where I had arrived was transitional. The same goes for college–a drawn out transition from a coddled teenager to an “independent.” And the same goes for everything in the foreseeable future: everything from my summer here in Three Rivers to my time at L’Abri in Switzerland to wherever I finally “settle” (for even there my experience will leave me a nudge out-of-place with my family and friends scattered across the earth).
And it was a whirlwind, be assured. There I was, in transition, all of my airport hellos and goodbyes rolled into one heart-rending blur compounded by family and friends and then almost entirely dissolved just a weekend later. Graduation is not only too abrupt it is profane. It fails to revere such a sacred time. But alas.

* * *
All of the above was what spilled out in my first reflection time after a morning’s work at Huss School. Asked to reflect on the “imaginative space” Huss is deemed to be, I found myself only struggling against the whelm of graduation, its emotions but also its import. What had struck me the most as I worked was the deep sense in which college (and twenty-two years of American (yea human) life) had oriented me in a certain direction, pushing and pulling me toward . . . something, something that inhabited an implicit space in my thoughts and heart over the years and something that remained fluid and vague even as I graduated. That something is something I think I’ll have many years to work out. But what I want to consider here is simply the experience of being oriented toward.
Rob and Kirstin told us as we met for the first Huss School work day that we would end the day with a half-hour of reflection. A time to consider our work and the imaginative possibilities it might spark. This got me going, needless to say, on thinking about the nature of work. I was raised with a fairly strong work ethic so it wasn’t necessarily griping that raised these thoughts. I was, however, tired, without breakfast, and assigned to not only move piles of wood from one end of the building from which they’d just been moved, but also to empty and restock sawdust toilets! (In fact, the sawdust toilets were surprisingly simple, clean, and much less frightening than the dark abysses of other portable waste management facilities).
As things started moving, however, I regained some spirit. It was nothing special, but I made a point of cleaning thoroughly, keeping in mind how I would respond to a toilet spotted with sawdust when already apprehensive about this “alternative” option. Now, I won’t feign any profound spiritual or emotional experience . . . I was tired and wanted to go home. But I did ponder something I had heard before. A teacher and good friend in high school once offered me a Buddhist koan that goes something like this:
A master and his student are living together and each day the student fiercely practices his meditation. Set upon achieving nirvana the student meditates with almost physical exertion, as if trying to grow a beard over night (sorry, my addition). Meanwhile the student’s master quietly goes about the daily chores. Finally, in a collapse of exhausted frustration the student asks his master “Why are you doing the chores, why do you not mediate incessantly like me?” The simple reply: you can find nirvana in doing the dishes.
Perhaps one way to understand this story is to make a distinction. As Mother Teresa has been quoted, we are called to be faithful not successful. And I think this goes for all aspects of our life, regardless even of whether we consider ourselves religious or not. The Buddhist student is misguided not because he meditates but because he tries to succeed at meditating, whereas his wise master meditates faithfully. For the student, it is as if he has some dead-lined goal he believes he can achieve by following these certain steps. For the master, on the other hand, nirvana is something much more fluid, moving in and out of his daily life, constantly re-centering him.
As I performed my menial labor I had two thoughts: one, “this sucks we’re just gonna have to do it again” and, two, “but that’s ok.” Initially, I found myself confounded by this seemingly pointless work–I had a two degrees for Pete’s sake and I was sweeping floors?! However, in asking what the point was of this work, I saw how progress-oriented I had become in my college years. Sure, the plans for this school are much greater than constantly cleaning a not-yet-renovated building and, sure, we definitely need things to get going. However, especially with *cino’s Huss School project, the point is not to succeed.
Instead, I offer the clunky term of “cyclical traction” as the point of all our work. Rather than positing some success-goal toward which we linearly progress, faithful work is something of a tornado. It is work that centers on some essential spirit–“the imaginative space,” for example–and then, in its whirlwind, hopefully it touches down, tears up a bit of ground, and makes a difference. The equally clunky visual/substitute-asterik-break would look something like this:

3170844-2-way-arrow-spirals-over-white-isolated.jpg
Work of this kind should rather be called something like “workship” for it is work that faithfully worships something. Something like finding nirvana in doing the dishes, work centered on the imaginative spirit living in *cino is a matter of remaining faithful to core principles. Hence, the all-by-hand parking-lot weeding session held last week in the name of environmental care. Even at this level of the mundane it matters how you work, the way in which you see it as a worshipping practice of a worthwhile idea and not just some pointless task to keep the interns busy.
In this way, I’ve come to see my internship much more as an apprenticeship. I am here to help and I hope to serve the project as effectively as possible; however, my time here is temporary and the gift I receive during it is this new education that doesn’t merely equip me to succeed but even more forms me to be a more faithful person. Faithful to the work I do, to the life I lead, to the community in which I’m in.
The same teacher who offered me the Buddhist koan also suggested that all middle school students should be sent to labor camps. Outrageous it may be, but his suggestion hits on this idea of workship I’ve explored, for the aim there would be to harness all that wild energy, center it upon repetitive laboring, in the hopes of forming such students into better persons, not merely educated achievers. My first day at school, in other words, was a lot of (well-spent) unlearning.

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Making Boo Radley come out

If you were to travel north or south along highway 131, you would transect a patchwork of farm fields and a series of small towns that dot southwest Michigan, and one particular whistle-stop by the name of Three Rivers. As I hail from the city of Pittsburgh, whose claim to fame is the presence of three relatively large rivers, I was delighted to move to the quaint town nestled around the St. Joseph, Rocky, and Portage riverlets. Reorienting myself around the presence of water feels rather familiar.
As a recent arrival to the Rectory, the *cino intern house (still in need of a more charming title), I find that I’m settling agreeably into what has already been comfortably inhabited for most of the summer. Yet the local foot-traffic of Main street still peers curiously at our twentysomething gaggle as we eat curries and project strange sounds from the front porch, and the question, “So what exactly are you doing here again?” seems to arise daily. Yes, our presence here as “interns” or “the people who work at Huss school” is rather ambiguous, but we are noticing a growing conversation percolate as the events of the past month unveil an active and imaginative vision.
Daily life in the rectory oscillates between peaceful mornings reading poetry and haphazard and chaotic cooking explosions lasting well on into the evening. An unpredictable rhythm indeed, as our living dynamic shifts slightly with the ebb and flow of interns, visitors, and dinner guests. The stereo seems to be the central locus of the abode, where eclectic and familiar sounds accompany dinner preparation, work at the dining-room table, and most any moment where someone occupies the first floor. We’ve stocked our cupboards with bulk flours, oats, and grains from Miller’s Discount Store, locally referred to as the “Amish Shop,” and have found time to knead yeasty loaves of bread, frost vegan cupcakes, and enjoy fresh-pressed peanut butter. Tomatoes are reddening on the window sill and a great bounty of vegetables fill various nooks and crannies, giving way to collaboratively crafted summer soups, pesto’s and salads–enough for 5, 11, or 14 gathered ’round. Yet there always seems to be time for sprawled-out crafting and letter writing. Needless to say, my transition here has been pleasant, accompanied by a conscious desire for simpler, more holistic, and communal ways of living.
Why not start with homemade granola?
I have begun the quest to bake a crunchier chunkier and delectable tasting granola. Thanks to Kirstin’s suggestion, we look no further than the Mennonite (Central Committee) cookbook, Simply in Season:
Chunky Crunchy Granola
3 c. rolled oats
1 c. whole wheat flour
1/4 c. brown sugar
1 ½ t. ground cinnamon
1/2 t. salt
1/2t. ground ginger
1/4 c. oil
1/4 c. honey
1/4 c. milk
½ c. raisins, other dried fruit or nuts (pecans are good)
1. Mix together dry ingredients together in a large bowl. Make a well in the center.
2. Pour oil, honey, milk, etc. into the well. Mix thoroughly , making sure all loose flour has been incorporated.
3. Spread in 9 x 13″ pan and bake at 300°, stirring every 10 minutes, until light brown, 50-60 minutes.
After many critiques and grumbles from past attempts, the drowsy breakfast eaters now declare, “Yes! We’ve found it! So chunky! A perfect combination of salty and sweet!”
Through the small tasks including washing clothes by hand, baking daily bread, and making delightful meals from the bounty of Michigan produce, the pace of the day has elongated into calm productivity with the occasional disruption of swooping bats or spontaneous dance parties.
So what does this all have to do with the title, “Making Boo Radley Come Out,” anyway?

Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop . . . somehow it was hotter then . . . bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum. . . . There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, nothing to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.

This excerpt is from the first chapter of the southern gothic novel, To Kill a Mockingbird, written by Harper Lee. The interns have decided to revive this classic story while reading aloud after our evening meals, and though the historical setting of the novel contains many contrasts to today, the themes of this story seem to take on a new meaning for those of us dwelling in Three Rivers. The sleepy town of Maycomb, Alabama is set in the thick of the Great Depression and the early outcries of the Civil Rights movement with Harper Lee addressing issues of racism, class, inequality, economic hardship, and gender roles in the American south. While I hesitate to draw broad generalizations from this novel, this short time in small-town Michigan has reminded me that many of these issues (economic recession, racism, classism, etc.) are more than present today.
In addition to learning to live simply and imaginatively in this new home, we spend much time at Huss School–a building rich in memory and history. Afternoons at Huss usually include visits from neighborhood kids, some of whom are rather mischievous and rambunctious boys eager to wrestle and skate and bombard each of us with curious questions. These boys, who seem to teach us about both lived experience and local myth and lore of the neighborhood, remind me of the characters of Lee’s novel; children who believe that Huss School is haunted and who have rather precocious perspectives into the lives of their neighbors. Yet these kids have a fascination with the *cino project and changes happening at Huss, and, as though out of a novel, jump and cheer and chase our bicycles as we ride down their streets. These children certainly experience the inequalities ever-present in our communities, and their stories often reflect this. Yet they are eager to be involved–to help and explore and imagine this renewed space.
So while our familiarity with Three Rivers continues to grow, I am challenged by these connections, reminding me of subtle and blatant examples of injustice and social and economic hardship, but also of the hope, joy, and creativity occurring here. Through reading the story of the sleepy and tired Maycomb and the characters who seek peace and justice, there is certainly and undercurrent of optimism also found in the narrative of Three Rivers.

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Festival of Faith & Music 2009

*cino had a display table at this year’s excellent Festival of Faith & Music 2009 (FFM) at Calvin College, organized by the Student Activities Office (SAO). Kirstin and I share a position in the SAO–in addition to our *cino work–and have the distinct pleasure of working with Ken Heffner, the director of Student Activities, who has been doing amazing Kingdom work in the area of popular culture for a long time. The work Ken’s been doing at Calvin was on our radar long before we worked there; in fact, the SAO and FFM were some of the examples *cino has always pointed to as signposts of Kingdom life. So it’s quite wonderful, now, to be a part of something like the Festival in a more intimate way than simply exhibiting.
We’d encourage you to visit the Festival web site for audio resources, photos and information about participants. I’d specifically recommend the incredible conversation between Lupe Fiasco and Cornel West, the Cornel West lecture, and two excellent articles by Marty Garner about headliners The Hold Steady and Lupe Fiasco. Actually, all of the workshops are pretty fantastic, so you should just subscribe to the FFM podcast and download everything. :)

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